© E. V.
Ladyguine, 1999- 2009. All rights reserved.
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Ofishial sait by
the drawer E. V. Ladyguine
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Fairy tale
forest.
Tone paper,
pen & ink. 36х24. 2001.
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Suzdal. The
Kamenka River.
Paper, pen
& ink. 37х24. 2001.
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Unknown
Moscow.
Tone paper,
pen & ink. 32х22. 2001.
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Pokrova na
Nerly.
Tone paper,
pen & ink. 34х24. 1998.
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The forest.
Tone paper,
pen & ink. 34х24. 2008.
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The Pearl.
St.George cathedral in Yuriev. Paper, pen & ink. 37х24.1998.
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Venice
morning.
Tone paper,
pen & ink. 32х22. 2008.
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The image is similar to classic pencil
drawings and etching because it has a smooth and realistic visual
characteristic.
The drawer use one color of ink for
makes interpretation congenial to image.
The figure creates on several kind of
paper. The paper can be white or toned, smooth or factures.
The methodic of drawer is the “shading
glaze” (effect of overlay layers of translucent ink) and the pen drawing
with suppresses and spreads.
The white ink uses in the drawings on
the toned papers.
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Old Bridge
in Tutaev.
Tone paper,
pen & ink. 1999.
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Zvenigorod.
The sunlight.
Tone paper,
pen & ink. 24х36. 1999.
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The
overgrown pond.
Tone paper,
pen & ink. 24х32. 2003.
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The
fountain on the wind.
Tone paper,
pen & ink. 36х24. 2008.
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Pskov’s
mood.
Tone paper,
pen & ink. 35х24. 2001.
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Zaraysk old
shopping centre.
Tone paper,
pen & brown and white ink.35х24. 2001.
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Tower
Bridge.
Marble
paper, pen & ink. 20х30. 2009.
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The Church
of Odigitria in The Rostov Kremlin.
Tone paper,
pen & ink. 21х30. 2002.
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The House
of scientists in Moscow.
Tone paper,
pen & black and white ink.24х34. 2003.
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Moscow. The
House of music.
Paper, pen
& ink. 50х37. 2009.
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Smolensk
motive.
Tone paper,
pen & ink. 29х21. 2003.
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Ugreshsky
monastery.
Tone paper,
pen & ink. 40х24. 2001.
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